The church, as the most important place of the monastery, is the building that is particularly shaped by the concept. The roof of the church slopes upwards toward the altar so that the height of the room increases towards the altar. From the low entrance area, it is possible to go towards the altar to the liberating height. But light also increases toward the altar, along with the height of the room, because the ceiling does not rest on the walls. Thus, light enters the nave through the widening gap between the ceiling and the walls. This gap becomes larger and larger in the direction of the altar so that more and more light falls into the church. The altar is thus marked as a sacred place by the peak of light there but also by the height of the room.